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You are here: Home / Misc / Picture This: Horst At The V & A

Picture This: Horst At The V & A

By Trey Speegle on September 13, 2014 6:43 am

Muriel Maxwell, Vogue, 1939

Muriel Maxwell, Vogue, 1939

Last week, the V&A Museum in London launched a retrospective of the work of the legendary photographer Horst P. Horst. (1906-99) In an extraordinary career spanning 60 years, his photographs appeared on the pages of Vogue and House and Garden under the singular byline; “Horst”. He was such a versatile and multifaceted photographer that there are 10 sections in this exhibit; Haute Couture, Surrealism, Stage & Screen, Travel Patterns From Nature, The Studio, Fashion In Color, Living In Style, Nudes and Platinum Prints. SO prolific was he, that even with 400 images in the exhibition, the curators say they could have easily produced five shows of the same size. Every one of his 94 Vogue covers is on view — but his work wasn’t only about fashion. He shot everything from male nudes (several of which have been lent by Elton John and David Furnish) to interior design and gardens, which he began to specialize in under the editorship of Diana Vreeland.

“Fashion is an expression of the times. Elegance is something else again.” –Horst, 1984

Horst was part of an artistic, collaborative crowd that in turn fueled his work. He was friends with Schiaparelli and Dalí and the Surrealist movement inspired him to put his own creative spin on simplest jobs. Asked to make an image for a Vogue nail-polish story, for example, he arranged models and mannequins’s hands for a picture that transcends mere illustration. His fashion work represented an creative departure from what had come before, and he could be a source of frustration for editors who just wanted him to show the clothes. I’m very familiar with his photographs, having worked for Vogue, House & Garden and Vanity Fair (we hired him at VF when his third act was in full-swing in the mid 80s), but I’ll admit that the true scope of his career somewhat eluded me. Avedon & Penn are often thought of as THE two primary 20th century fashion magazine photographers, but with this exhibit, Horst is nudging them over to secure a permanent place in the pantheon. The exhibition runs through January 4, 2015 at the V&A.

THE STUDIO: Horst directing fashion shoot with Lisa Fonssagrives (wife of Irving Penn), 1949. Photo by Roy Stevens

THE STUDIO: Horst directing fashion shoot with Lisa Fonssagrives (wife of Irving Penn), 1949. Photo by Roy Stevens

COVER ME: 94 Vogue covers are on display, like this one from 1941

COVER ME: 94 Vogue covers are on display, like this one from 1941

SURREALISM: Ask to shoot nail polish for a Vogue story, this is what Horst produced in 1941

SURREALISM: Ask to shoot nail polish for a Vogue story, this is what Horst produced in 1941


SURREALISM: Salvador Dalí’s costumes for Leonid Massine's ballet Bacchanale, 1939

SURREALISM: Salvador Dalí’s costumes for Leonid Massine’s ballet Bacchanale, 1939

HAUTE COUTURE: Mainbocher Corset, Paris, 1939

HAUTE COUTURE: Mainbocher Corset, Paris, 1939

STAGE & SCREEN: Marlene Dietrich, New York, 1942

STAGE & SCREEN: Marlene Dietrich, New York, 1942

LIVING IN STYLE: Baroness Pauline de Rothschild at her apartment in Paris, 1969

LIVING IN STYLE: Baroness Pauline de Rothschild at her apartment in Paris, 1969

TRAVEL: View of ruins at the palace of Persepolis, Persia, 1949

TRAVEL: View of ruins at the palace of Persepolis, Persia, 1949

PATTERNS FROM NATURE: Photographic Collage, about 1945

PATTERNS FROM NATURE: Photographic Collage, about 1945

PLATINUM PRINTS: Round the Clock, New York, 1987

PLATINUM PRINTS: Round the Clock, New York, 1987

NUDES: Male Nude, 1952

NUDES: Male Nude, 1952

FASHION IN COLOR: Dinner suit and headdress by Schiaparelli, 1947

FASHION IN COLOR: Dinner suit and headdress by Schiaparelli, 1947

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