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You are here: Home / Culture / Art / Missy Elliot, Marilyn Manson, St Vincent, Genesis P-Orridge and More in BRILLIANT New Marc Jacobs Fashion Video

Missy Elliot, Marilyn Manson, St Vincent, Genesis P-Orridge and More in BRILLIANT New Marc Jacobs Fashion Video

By James St. James on September 8, 2016 12:42 pm

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It’s a jaw-dropping three-­minute-long, star-studded ­companion to Jacobs’ fall print ads, set to Man Friday’s “Love Honey, Love Heartache (Larry Levan Mix),” and featuring your favorite stars of the ’90s, 00s, and TODAY! There’s Courtney Love! Marilyn Manson! Missy Elliot! Sissy Spacek! Cara Delevingne! St Vincent’s Annie Clark! Performance artist Kembra Pfahler! Performance artist Genisis P-Orridge! Susan Sarandon! New York Doll David Johansen (I think!)! Club promoter Lady Fag (I think)! Models Adwoa Aboah, Anna Cleveland, and Willy Morsch! Japanese artist Keiji Haino! AND THAT’S JUST WHO I RECOGNIZED ON THE FIRST VIEWING! A literal cavalcade of Who’s Hip and Who’s Hot!

Watch it below

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From Billboard magazine:

Jacobs and (video director) Hype Williams first met at New York’s Mercer Hotel in the early 2000s. “I’ve always thought his visual voice is ­incredible,” says Jacobs, who, along with his muses, stars in the video. In the ’90s, Williams ­revolutionized hip-hop videos with his artistic eye and large-scale ­production values for such artists as LL Cool J, Tupac Shakur, Nas and Elliott, whom he met when she was 16. He was close with Prince (“Sonically, all of us are a derivative of him in some capacity”) and worked with Kanye West extensively. But Williams’ video for Jacobs represents both a genre shift and a return to the spotlight this year. “The clothes had a rhythm that reminded me of Limelight,” says Williams, r­eferencing a bygone New York club that had its ­heyday in the early ’90s. “The music we picked ­represents that era and Larry Levan, [a DJ who] was a genius at what he did; he shaped club culture.”

For Clark, the video shoot with Williams “was like an acid-trip Fellini film, 8½ or Satyricon,” she says. “­[Transgressive i­ndustrial music pioneer] Genesis P-Orridge was on one side of me, Susan Sarandon on the other, and all these ­gorgeous, statuesque ­redheads milling round. It was lovely to be in the company of real artists and ­genuine, beautiful freaks.”

Ever the consummate ­producer, Williams ­understood how to get the best out of the chic motley group Jacobs ­assembled by ­intuiting how people might respond to music. While shooting the video, he blasted The Prodigy for Clark. For Keiji Haino, the Japanese artist? “No music,” says Williams. “I had to use that, his silence.” Love only wanted to listen to her own songs; Manson “brought it” with Jay Z, even though he only ­listened to Justin Timberlake while ­prepping. “All of the hair and makeup ladies [said they] were ­fanning ­themselves, like, ‘That is the sexiest guy I’ve ever met,’ ” says Clark of Manson. “[He’s] extraordinarily ­intelligent and quite ­flirtatious; he will ­definitely say shit to provoke you,” adds Jacobs, spoken like someone who knows how to do that, too.

 

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Filed Under: Art, Celebs, Dance, Design, Fashion, Featured, History, LBGTQ, Music, Nightlife, Slay, Social Media, Web

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