While traveling on public transportation recently, I was called “an old queen” when I accidentally jostled a whipper-snapper while taking my seat. At first, I was offended, and as I started to spit out a response, I thought of a certain Old Queen of England and instead my retort was:
“Oh, sweetie dear, you simply have no idea…“
When I arrived in New York City in late summer 1976, I didn’t even have a clue of how to get from the airport into Manhattan. I was 22 years old and one of another hundred people who just got off of the plane, ready to become a Broadway star and famous recording artist. I ended up taking a taxi to the Tudor City Hotel where I had chosen to make a reservation because it was across the street from Truman Capote‘s apartment. My room at the hotel was the size of the bathroom at my Los Angeles apartment, and it had one tiny window that opened onto an air shaft.
I checked-in and then headed down 42nd Street to Times Square just to picture my name in lights. This was the Times Square of the mid-1970s, so very different than the Disney-ized Manhattan today. I was so overwhelmed to find myself alone with two pieces of luggage, my dreams, and no plan, that I called the only person I had any connection with in the city. I confessed to my friend that I was a bit freaked out at finding myself all alone in NYC, and he invited me to stay in his apartment’s maid’s quarters until I could find a place of my own.
I took him up on the offer, but I stayed at my already paid for room at the Tudor City Hotel for one night. Late that evening, I turned on the tiny black and white television in the room and just happened to catch a most unusual, moving, mesmerizing film, The Naked Civil Servant (1975) starring John Hurt, about the early life of Quentin Crisp, of whom I knew absolutely nothing. The film was unlike anything that I had experienced. Just like me, Crisp had arrived in NYC not knowing a soul, but, unlike me, he arrived with a plan. Crisp was ready to become famous.
Quentin Crisp was a British writer who gained the world’s attention after the airing of a television adaption of his autobiography, The Naked Civil Servant in 1976.
Crisp was a flamboyant, fey man who wore makeup and painted nails. He worked as a rent-boy as a youth. He then spent three decades making money as a figure model for art classes. The interviews he gave about his unusual life attracted increasing public curiosity and he was soon in demand for interviews where he told tales of his highly individual views on social manners and the cultivation of style. He was also frequently harassed and beaten.
Born Denis Charles Pratt, he left home to lead a life that was not based on anything more than being completely his new persona, “Quentin Crisp”. Not only did he have a questionable appearance, his expressions of his sexuality also attracted a sense of curiosity among his fellow humans. He started to speak on his life and views through his one-man stage show, which was very popular in Britain and America.
Many critics claimed that Crisp did not do any good for the LGBTQ community, but he was always a brave supporter of freedom in gender and sexuality expression. Throughout his long life, he remained highly independent and continued to share his beliefs and observations through his books, stories, quips, and stage and film performances. His life advocated that positivity and dedication would help one succeed in life.
Crisp was Oscar Wilde‘s perfect descendant, with his calculated caustic confabulations, open gayness and witty, and winning obstinate opinions toward any kind of conventionality. Crisp caused a bit of a stir in the traditional Britain of the 1950s, 1960s, and 1970s. In 1981, Crisp moved to NYC, and brought along his witty remarks and eccentricity. Crisp charmed the city and he became the essence of the modern bohemian.
Crisp resided in a single room in the East Village from 1977-1997. He remained fiercely independent and unpredictable to the end. He caused controversy and confusion in the LGBTQ community by jokingly calling AIDS “a fad”. Always the contrarian, he famously commented after the death of Princess Diana:
“She could have been Queen of England and she was swanning about Paris with Arabs. What disgraceful behavior! Going about saying she wanted to be the queen of hearts. The vulgarity of it is so overpowering.”
He was always in demand from journalists needing a juicy sound-bite, and throughout the 1990s his commentary was often requested. You could count on Crisp to say something quotable.
During his two decades in Manhattan, Crisp wrote 11 books, plus reviews and magazine articles, appeared in several films, including playing a touching and dignified Elizabeth I in Sally Ann Potter‘s gender-bending Orlando (1992), opposite Tilda Swinton.
While filming The Bride (1985), he became friends with Sting who was playing Dr. Frankenstein. Crisp was the inspiration and subject matter of Sting’s beautifully brilliant song An Englishman In New York (1988). Crisp:
“I had looked forward to receiving my naturalization papers so that I could commit a crime and not be deported.”
In 1986, Sting visited Crisp in his Manhattan apartment and was told over dinner, and in the three days that followed, what life had been like for an out-of-the-closet gay man in the very homophobic Britain of the 1920s-1960s. Sting was both shocked and fascinated. His song includes the lyrics:
“It takes a man to suffer ignorance and smile. Be yourself no matter what they say.”
“It’s partly about me and partly about Quentin. Again, I was looking for a metaphor. Quentin was a hero of mine, someone I knew very well. He was gay, and he was gay at a time in history when it was dangerous to be so. He had people beating up on him on a daily basis, largely with the consent of the public.”
Noted for never turning down a party invitation or a free meal, the gregarious Crisp claimed that he had never fallen in love:
“You can fancy someone, wish them well or enjoy their company, that’s all I can do with anybody. But when Miss Streisand sings, ‘People who need people are the luckiest people in the world’, she’s being funny. When you need people, you’re finished. I need people, but not any one person.”
Crisp always said that moving to the USA was his proudest achievement. He loved Americans.
“When I was coming to America, I went to the American Embassy in London, and the man asked me, ‘Are you a practicing homosexual?’ and I said I didn’t practice. I was already perfect.”
34 years after the first one, there was a second film about his life, this time the NYC years, An Englishman In New York (2009), with John Hurt playing him again, and featuring gay actors Denis O’Hare and Cynthia Nixon.
He entertained publicly and privately with his inimitable decorum, dignity, dexterity, drollery and drive. Crisp spent his 90th birthday performing his one man show. He took his final curtain call while on tour with it, in Manchester, England, just a few weeks away from his 91st birthday, Christmas Day 1999. He didn’t quite make it to the 21st century, and maybe that was a good thing. This is what Crisp had to say about that:
“I hope for nothing, nothing, in the new millennium except death. It will get noisier, it will get darker, it will get faster and the music will thump more. But I shall be dead.”
Not everyone’s cup of tea, I like to think that we would have been great friends if we had the chance to meet. I still like to consider Crisp’s life whenever I get called an old queen.
Essential Crisp: The Naked Civil Servant (1968), How To Have A Lifestyle (1975), How To Become A Virgin (1981), How to Go To The Movies (1988), Resident Alien: The New York Diaries (1996) and The Wit & Wisdom of Quentin Crisp (1989).